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In his acclaimed debut as a filmmaker, Ahmir "Questlove" Thompson presents a powerful and transporting documentary, part music film, part historical record, created around an epic event that celebrated Black history, culture, and fashion. Over the course of six weeks in the summer of 1969, just one hundred miles south of Woodstock, The Harlem Cultural Festival was filmed in Mount Morris Park (now Marcus Garvey Park). The footage was largely forgotten,...
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"Focusing on the years 1971 to the present, Questlove finds the hidden connections in the American tapestry, whether investigating how the blaxploitation era reshaped Black identity or considering the way disco took an assembly-line approach to Black genius. And these critical inquiries are complemented by his own memories as a music fan, and the way his appetite for pop culture taught him about America. A history of the last half-century and an intimate...
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This survey of the music of black Americans begins with the arrival in 1619 of the first black men in the English colonies. It discusses the work of black composers and performers, the role of the black churches in the North, theatrical activities, the songs of work and play, the development of jazz, and art music.
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"The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, "Lift Every Voice and Sing" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed...
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Since their enslavement in West Africa and transport to plantations of the New World, black people have made music that has been deeply entwined with their religious, community, and individual identities. Music was one of the most important constant elements of African American culture in the centuries-long journey from slavery to freedom. It also continued to play this role in blacks' post-emancipation odyssey from second-class citizenship to full...
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"Will Ashon tells, in 36 interlinked 'chambers', the story of Enter the Wu-Tang (36 Chambers) and how it changed the world. As unexpected and complex as the album itself, Chamber Music ranges from provocative essays to semi-comic skits, from deep scholarly analysis to satirical celebration, seeking to contextualize, reveal and honor this singular work of art. Chamber Music is an explosive and revelatory new way of writing about music and culture."--...
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In The Emancipation of Slaves Through Music, music mogul Dr. Mathew Knowles presents a keen examination of the liberating effects of music on an oppressed people. By taking readers on the journey of its secret use during slavery up through its eventual commercialization in the industry, he exposes the art form's true power. Between its informative pages, the book explores the uprooting of Africans via the transatlantic slave trade and the evolving...
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FROM THE POET the Chicago Tribune calls the new voice of Chicago, comes L-vis Lives!, a bold new collection of poetry and prose exploring the collision of race, art, and appropriation in American culture. L-vis is an imagined persona, a representation ofartists who have used and misused Black music. Like so many others who gained fame and fortune from their sampling, L-vis is as much a sincere artist as he is a thief. In Kevin Coval's poems, L-vis'...
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The ballad "John Henry" is the most recorded folk song in American history and John Henry--the mighty railroad man who could blast through rock faster than a steam drill--is a towering figure in our culture. But for over a century, no one knew who the original John Henry was--or even if there was a real John Henry. In Steel Drivin' Man, Scott Reynolds Nelson recounts the true story of the man behind the iconic American hero, telling the poignant tale...
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"Mamie Smith's pathbreaking 1920 recording of 'Crazy Blues' set the pop music world on fire, inaugurating a new African American market for 'race records.' Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not...
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"Alice Randall, award-winning professor, songwriter, and author with a "lively, engaging, and often wise" (The New York Times Book Review) voice, offers a lyrical, introspective, and unforgettable account of her past and her search for the first family ofBlack country music. Country music had brought Randall and her activist mother together and even gave Randall a singular distinction in American music history: she is the first Black woman to cowrite...
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It was not until the mid-1920s that the full spectrum of this music black and white, urban and rural, sophisticated and crude made it onto records for all to hear. This book brings a forgotten music, hot music, to life by describing how it became the dominant American music how it outlasted sentimental waltzes and parlor ballads, symphonic marches and Tin Pan Alley novelty numbers and how it became rock n roll. It reveals that the young men and women...
18) Wattstax
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English
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On August 20, 1972, more than 100,000 people attended what came to be known as 'the black Woodstock.' Wattstax documents this historic event and includes the once-lost original ending.
19) Black music
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Discusses modern jazz movements and musicians, including Ornette Coleman, John Coltrane, Sonny Rollins, Cecil Taylor, Eric Dolphy, Archie Shepp, and Sun-Ra.
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