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"Mamie Smith's pathbreaking 1920 recording of 'Crazy Blues' set the pop music world on fire, inaugurating a new African American market for 'race records.' Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not...
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"Alice Randall, award-winning professor, songwriter, and author with a "lively, engaging, and often wise" (The New York Times Book Review) voice, offers a lyrical, introspective, and unforgettable account of her past and her search for the first family ofBlack country music. Country music had brought Randall and her activist mother together and even gave Randall a singular distinction in American music history: she is the first Black woman to cowrite...
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It was not until the mid-1920s that the full spectrum of this music black and white, urban and rural, sophisticated and crude made it onto records for all to hear. This book brings a forgotten music, hot music, to life by describing how it became the dominant American music how it outlasted sentimental waltzes and parlor ballads, symphonic marches and Tin Pan Alley novelty numbers and how it became rock n roll. It reveals that the young men and women...
26) Wattstax
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On August 20, 1972, more than 100,000 people attended what came to be known as 'the black Woodstock.' Wattstax documents this historic event and includes the once-lost original ending.
27) Black music
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Discusses modern jazz movements and musicians, including Ornette Coleman, John Coltrane, Sonny Rollins, Cecil Taylor, Eric Dolphy, Archie Shepp, and Sun-Ra.
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"Curtis Mayfield. The Chi-Lites. Chaka Khan. Chicago’s place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers...
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"Now available in paperback, William C. Banfield's acclaimed collection of interviews delves into the lives and work of forty-one Black composers. Each of the profiled artists offers a candid self-portrait that explores areas from training and compositional techniques to working in an exclusive canon that has existed for a very long time. At the same time, Banfield draws on sociology, Western concepts of art and taste, and vernacular musical forms...
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The story of the American civil rights movement through its music, the freedom songs protesters sang on picket lines, in mass meetings, and more, as they fought for justice and equality. Includes new performances of the freedom songs by top artists, archival footage, and interviews with civil rights foot soldiers and leaders. Freedom songs evolved from slave chants, from the labor movement, and even from the black church.
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In 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a "show tune." Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers.
In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that they raised the issue of...
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