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"The Girl Group Sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mix of innocence and rebellion emblematic of America in in the 1960s. As songs like "Will You Love Me Tomorrow," "Then He Kissed Me," and "Be My Baby" rose to number one, Girl Groups cornered the burgeoning post-war market of teenage rock and roll fans, indelibly shaping the trajectory...
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"Black Punk Now is an anthology of contemporary nonfiction, fiction, illustrations, and comics that collectively describe punk today and give punks-especially the Black ones-a wider frame of reference. It shows all of the strains, styles, and identities of Black punk that are thriving, and gives newcomers to the scene more chances to see themselves"--
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"Mamie Smith's pathbreaking 1920 recording of 'Crazy Blues' set the pop music world on fire, inaugurating a new African American market for 'race records.' Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not...
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Bop Apocalypse, a narrative history from master storyteller Martin Torgoff, details the rise of early drug culture in America by weaving together the disparate elements that formed this new segment of the American fabric. Channeling his decades of writing experience, Torgoff connects the birth of jazz in New Orleans, the first drug laws, Louis Armstrong, the Federal Bureau of Narcotics, swing, Lester Young, Billie Holiday, the Savoy Ballroom, Reefer...
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Hip-Hop was created by urban youth of color more than 30 years ago amid racial oppression and economic marginalization. It has moved beyond that specific community and embraced by young people worldwide, elevating it to a global youth culture. The ambitious and hard-hitting documentary Blacking Up: Hip-Hops Remix of Race and Identity looks at the popularity of hip-hop among Americas white youth. It asks whether white identification is rooted in admiration...
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In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama—what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians...
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"A provocative interpretation of why classical music in America "stayed white"-how it got to be that way and what can be done about it. In 1893 the composer Antonin Dvořák prophesied a "great and noble" school of American classical music based on the searing "negro melodies" he had excitedly discovered since arriving in the United States a year before. But while Black music would found popular genres known the world over, it never gained a foothold...
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"THE MEANING OF SOUL discusses Black resilience and innovation through soul music and soul logic. Emily Lordi analyzes soul music and musicians from the 1960s, the 1970s, and after, bridging the different valences of soul as a way of moving through the world. The book encompasses soul's racial-political meanings while being sensitive to the details of the music and small details that shaped artists' lives and their relationship to soul. Chapter 1...
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"Blues Mamas and Broadway Belters examines racialized embodied singing techniques and their transmission, dwelling with the ways that black women singers theorized the voice in US musical theater performances from 1900 to 1970. Approaching voice from a performance studies perspective, Masi Asare sketches biographies of singers such as Ma Rainey, Bessie Smith, Ethel Waters, Lena Horne, Eartha Kitt, and others, focusing on the different types of training...
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"This book explores the ways in which Elvis Presley projected cultural images of changing US identities during the Cold War both at home and abroad. Demonstrating the role of popular music and consumerism in the cultural struggle between East and West, Häussler argues that Elvis indirectly influenced perceptions of US popular culture and society during an era of heighted international tension"--
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